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A mockup for mockery.

SEVEN DECADES

A Monument to a Corrupt POTUS – 1977 Version

by Howard Smith & Brian Van der Horst

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Denzel Washington in Spike Lee’s “Malcolm X.” This famous “double dolly” shot made it appear that the character was floating through Washington Heights, near the Audubon Ballroom, where Malcolm X was assassinated, in 1965.

VOICE CHOICE

Making Movies in NYC Might Seem Thrilling, But You Can Get the Real Dope at a Live Q&A

by R.C. Baker

Coming and going: A school bus and a VW bus run on flower power in the Bronx.

VOICE CHOICE

Find Your Good Vibrations this Summer at the New York Botanical Garden’s “Flower Power” 

by Laura Bell

He’s back: The Bard gets ready for Shakespeare in the Park, 2026.

VOICE CHOICE

Get Your Shakespeare with a Dose of Summery Central Park Vibes 

by Laura Bell

WEB_1_FIRE ISLAND

SEVEN DECADES

Fire Island A to Z

by Michael Musto

Denzel Washington in Spike Lee’s “Malcolm X.” This famous “double dolly” shot made it appear that the character was floating through Washington Heights, near the Audubon Ballroom, where Malcolm X was assassinated, in 1965.

VOICE CHOICE

Making Movies in NYC Might Seem Thrilling, But You Can Get the Real Dope at a Live Q&A

by R.C. Baker

Chiwetel Ejiofor goes walkabout amid the horrors of the mundane.

FILM

Review: Kane Parsons’ ‘Backrooms’ Explores the Evil Architecture of Banality

by Michael Atkinson

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Film Reviews

FILM ARCHIVES

Every True Movie Fan Should See “A Fistful of Dollars” On a Big Screen at Least Once

by Simon Abrams

May 23, 2018

FILM ARCHIVES

Behold the Ferocious Glory of Julianne Nicholson in “Who We Are Now”

by Devika Girish

May 23, 2018

FILM ARCHIVES

Despite Its Sunny Surfaces, “Summer 1993” Is a Devastating Tale of Grief and Belonging

by Kyle Turner

May 23, 2018

Cannes

“The Wild Pear Tree”: Nuri Bilge Ceylan Gets Personal

by Bilge Ebiri

May 21, 2018

Cannes

Keep Tilting, Terry: With the Magical “Man Who Killed Don Quixote,” Gilliam Embraces the Madness

by Bilge Ebiri

May 19, 2018

“2001: A Space Odyssey” and the Limits of Vision

by Bilge Ebiri

May 19, 2018

“On Chesil Beach” Gets the Atmosphere and Emotions Right, But Not Quite the Intimacy

by Bilge Ebiri

May 18, 2018

Cannes

Sex, Obsession, and Class in “Under the Silver Lake” and “Burning”

by Bilge Ebiri

May 17, 2018

Cannes

Lazarus, Come Forth: On Alice Rohrwacher’s Cannes-Stunner “Lazzaro Felice”

by Bilge Ebiri

May 17, 2018

Cannes

Deconstructing Lars: “The House That Jack Built” Is an Empty Apologia From Von Trier

by Bilge Ebiri

May 15, 2018

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