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The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

Love your mother: This Sunday, gather in Union Square to celebrate the only planet we got.

VOICE CHOICE

Jumpstart Your Earth Day Vibes at Union Square

by Laura Bell

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

Straphangers: Director Joseph Sargent (center, with glasses) and cinematographer Owen Roizman prepare a close-up of a commuter having a very bad day in “The Taking of Pelham 123.”

VOICE CHOICE

‘Cinematic Immunity’ Covers the Artistry – and Insane Derring-Do – of Location Shooting in NYC

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

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Humbert Balsan

FILM ARCHIVES

Breaking Up Is Hard to Do in Goodbye First Love

by Karina Longworth

April 18, 2012

FILM ARCHIVES

Indie Film and Family in Crisis in The Father of My Children

by Ella Taylor

May 25, 2010

FILM ARCHIVES

Talking with The Father of My Children’s Mia Hansen-Love

by Melissa Anderson

May 18, 2010

FILM ARCHIVES

Our Guide to the Greatest of the ND/NF’s Latest

by Melissa Anderson

March 24, 2010

FILM ARCHIVES

Béla Tarr’s Magnificent Harmonies Gives Way to Anemic Noir in The Man From London

by Ed Gonzalez

September 17, 2008

FILM ARCHIVES

Stateless Cinema

by Kareem Fahim

January 21, 2003

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