By Alan Scherstuhl
By Charles Taylor
By Melissa Anderson
By Inkoo Kang
By Amy Nicholson
By Sam Weisberg
By Stephanie Zacharek
By Chuck Wilson
CANNES, FRANCEWearing its politics on its sleeve, the jury at the 57th Cannes Film Festival bestowed its Palme dOr on Michael Moores anti-Bush polemic Fahrenheit 9/11. Moore, who spoke at length in phonetic French when Bowling for Columbine won an award here in 2002, restricted himself to a single merci in crediting the festival with insuring the American people would see his movie. Rare but not unprecedented for a documentary, the Palme was also a triumph for Harvey Weinstein, whose Miramax Films was forbidden to distribute the film by parent company Disney, and whose star director Quentin Tarantino served as jury president.
The second-place Grand Prix went to Korean director Park Chan-wooks Old Boy, a violent thriller (and known Tarantino favorite). As expected, best screenplay was French writer-director Agnès Jaouis character comedy Look at Me (co-written with Jean-Pierre Bacri); more surprisingly, French filmmaker Tony Gatlif received best director for his drama of Romani repatriation, Exiles. Acting awards were given to 14-year-old Yagira Yuuya for his role in Japanese director Hirokazu Kore-edas sentimental drama Nobody Knows and Maggie Cheung for her uncharacteristically one-note performance as a rock n roll widow in French director Olivier Assayass tepid Clean. (For the second consecutive year, Canness leading actress played a heroin addict.) Irma P. Hall received a jury prize for her feisty turn in the Coens' The Ladykillers. "Quentin Tarantino has been talking in her voice for the last 10 days," juror Tilda Swinton noted at the press conference.
Once touted to win, Wong Kar-wais apparently unfinished 2046 was shut out, although a second jury prize went to Thai filmmaker Apichatpong Weerasethakul for his offbeat and unpopular Tropical Malady. The Camera dOr for best first film was awarded to Keren Yedayas Or, the story of an Israeli prostitute and her daughter.
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