How Could The A-Team Movie Be So Loud, Yet So Boring?

Joe Carnahan's big-screen adaptation of NBC's 1983 midseason-replacement-turned-three-seasons-running-hit is convoluted, overstuffed, turned up to 11, and yet, somehow, deadly dull—in other words, white noise. Rather than a reinterpretation, it's a soulless, sloppy, smirky rerun that makes those Charlie’s Angels movies seem positively nouvelle vague; at least Drew Barrymore and crew weren't just shouting bad impressions over the blasts. Liam Neeson is George Peppard as Hannibal Smith, cigar-chomping frontman of the band of wrongly accused Army Rangers; Bradley Cooper is Dirk Benedict as Templeton "Faceman" Peck, bullets bouncing off his perpetual smug grin; Quinton Jackson is Mr. T as B.A. Baracus, whose mohawk still pities the fool; and District 9's Sharlto Copley is Dwight Schultz as Murdock, the howlin' mad pilot who crashes most everything he touches. To the mix, add in Jessica Biel as the Army captain charged with bringing down the boys (complicated by the fact that Face is her ex); Patrick Wilson as the CIA agent who may or may not be setting up the team (but totally is, duh); frequent video-game voice-over actor Brian Bloom as the icky leader of a Blackwater-style operation that's gone rogue, I tellya, rogue; and Gerald McRaney as the worst best friend in the world. The plot has something to do with counterfeiting plates, but it's just an excuse to blow shit up for two hours. How can something this loud be this boring?

 
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