Magnolia Pictures

And though Rossi was turned on by the prospect of a day-in-the-life-style record of all sections of the paper, “there was an urgency to this story, in focusing on the media desk, that I think exceeded my aesthetic or creative desire to make a movie like that.” Whether it’s showing Carr taking several months to investigate mismanagement at the Tribune Company or Headlam sagely refusing to cover the coverage of a phony Iraq-troop withdrawal, Rossi hopes the film can encourage “a broader conversation about the newspaper industry and the extent to which viable print journalism will be part of a democratic future.”

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