The Double

Details

The Double
Directed by Michael Brandt
Image Entertainment
Opens October 28

Related Content

• BREAKING: Anonymous Claims to Take Down CIA Website
  February 10, 2012
• Warning: You Might Be a Terrorist If You Buy Your Morning Coffee With Cash
  February 14, 2012
• Blood and Gifts: The History Boys
  November 23, 2011
• Mohammed Wali Zazi, Dad of Subway Bomb Plotter Najibullah Zazi, Gets Prison
  February 10, 2012
• Anonymous's Fuck FBI Friday Campaign Hits Department of Homeland Security
  February 3, 2012

More About

• Michael Brandt
• Topher Grace
• Richard Gere
• Arts, Entertainment, and Media
• Movie Stars

Like this Story?

Sign up for the Events Newsletter: What's happening in town? From underground club nights to the biggest outdoor festivals, our top picks for the week's best events will always keep you in on the action.

Privacy Policy Cancel Continue

The Double, Michael Brandt’s post–Cold War spy film, is grade-B hokum, but it’s not without its occasional generic thrills. Apparently more adept at staging individual set-pieces than he is at building tension, creating believable characters, or stringing together a coherent narrative, Brandt places his best sequence, a successful jailbreak turned grisly murder, near the film’s beginning, and he at least keeps the action coming. Which is fortunate because everything else about the film, which involves the odd-couple pairing of grizzled out-of-retirement CIA agent Paul Shepherdson (Richard Gere) and Harvard-hotshot/FBI rookie Ben Geary (Topher Grace) in order to catch the newly resurfaced Russian assassin known only as “Cassisus,” is downright risible. Whether it’s the clumsy use of flashbacks, the air of manufactured portentousness, or the completely unbelievable casting of Grace in a role that requires a certain authority utterly lacking in the actor’s performance, almost every move seems a misstep. Brandt’s worst blunder is to give away one of the film’s biggest reveals early on, a strategy that not only eliminates a key element of suspense, but forces the filmmaker to pile on a series of more and more outrageous twists at the end.