Pazz & Jop Voter Comments: Singles Going Steady

Rolling down from "The Deep"

Linkin Park covered "Rolling in the Deep" and their audience sang along like it was "Numb" or "One Step Closer"; Lil Wayne rapped over it on the title track to his better-than-the-album-proper mixtape, Sorry 4 the Wait; hell, the CBC used it for their Stanley Cup Finals montage. On a city bus, I noticed no fewer than five people singing or humming along as it leaked through another passenger's earphones. This year, Adele's song was as inescapable as it was irresistible.

Josh Timmermann
Vancouver

When Adele hits that first "awwwllll" one minute into "Rolling in the Deep," it still gives me chills, even after hearing it twenty million times on the radio, from my stereo, or in every store or restaurant I walked in.

Details

Pazz and Jop 2011
Essays
Joyful Noises
Finding the bright side of 2011
By Maura Johnston

Suffering from Realness
The spotlight shines on Adele's heartbreak
By Katherine St. Asaph

Written on the Body
tUnE-yArds, PJ Harvey, and St. Vincent get physical
By Eric Harvey

Guarding the Throne
Jay-Z and Kanye West try to bring back the group listen
By Mike Barthel

Games People Play
Lana Del Rey lights up the Internet
By Tom Ewing

Riding the Bummer
Drake and the Weeknd wallow in their miseries
By Nick Murray

The Incredible Shrinking Album
Pazz & Jop's album results get Soundscanned
By Chris Molanphy

Confuse the Market
Post-crossover, indie retreats
By Scott Plagenhoef

California Demise
Tyler, the Creator and EMA feel the bad vibes
By Jessica Hopper

Most Valuable Supporting Player
André 3000 has a great year without a single starring role
By Andy Hutchins

Just Dance
The year ravers and pop fans learned to (file) share
By Michaelangelo Matos

Comments
Top 10-Plus
The year's big albums, from tUnE-yArDs on down

Singles Going Steady
Rolling down from "The Deep"

Raves and Rants
Making cases for the great and the grating

The Personals
Feelings, whoa-whoa-whoa

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Charles R. Cross
Seattle, Washington

In "Super Bass," Nicki Minaj finally delivered a single that fulfilled her big-pop ambitions without masking her absurdly charming smart-aleck spunk. It helped make 2011 feel like Minaj's true coming-out year.

Hank Shteamer
Brooklyn, New York

The ghastly part of M83's "Midnight City" isn't the sax solo—Anthony Gonzalez's vocal is more proof that indie rockers still aren't being resourceful about their musical purloining. Steal Curt Smith, John Lydon, or Baltimora, please!

Alfred Soto
Miami, Florida

Twenty years have passed since the end of the 1980s, and the threat of communism dominating the world now seems more quaint and distant than people making records with huge gated drums and cornball synths. M83 want things to stay that way. If you can set up a mental block in front of all the unlikable things about the '80s while still longing for the days when everything on the radio sounded like "Midnight City," then you'll probably love Hurry Up, We're Dreaming.

Barry Bruner
Toronto

"Super Bass" reveled in performance: Minaj makes consonants sound like vowels, and vowels sound like consonants; her loquacious mastery inverts every kind of gender expectation. Azealia Banks's "212" takes this conceit to geometric proportions. What's left standing is a one-woman community, a town crier who do the police in different voices, a masterpiece of mimicry and appropriation, L'Trimm, Neneh Cherry, Lil' Kim passing a dutchie.

Alfred Soto
Miami, Florida

I don't particularly care about Lana Del Rey, but my RSS feed sure seems to like her.

Leor Galil
Chicago, Illinois

Less a woman than ever, Britney Spears has become the disembodied sound of disco apocalypse. "Till the World Ends" and "I Wanna Go" incarnate a polymorphic essence so post-feminist/post-sexual/post-whatever that to wonder whether she's used or being used by the purported objects of lust she's dancing/fucking is as beside the point as comparing "Libya" and "Iraq."  

Alfred Soto
Miami, Florida

Britney's anthem was the soundtrack for all of my millennialism and various zombie-induced fears. It's way better than "Dancing With Tears in My Eyes" by Ultravox, too, although I still give the nostalgic end of the world edge to "Shiny Shiny" by my boyhood faves Haysi Fantayzee.

Scott Seward
Greenfield, Massachusetts

Of the four shooting-spree songs I know, "Pumped Up Kicks" is far and away the sprightliest; of the dozens of whistling songs I know, it's the only one about a shooting spree.

Phil Dellio
Toronto

 
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