Julie Delpy Rocks New York

Always more than an ingenue, she's taking on everything that's wrong with movies—and she's bringing Chris Rock

Years would pass before she'd direct a feature. "No one wanted to finance my films," she says simply. At one point, "before I was an actual director," she sent a producer a script with a man's name on it, just to see what would happen. "That's what Colette did," she shrugs. "But that was, like, 120 years ago!"

She hates being lumped in with "women filmmakers," she says. "By making it obvious that it's rare, you also minimize my work." But she also talks at length about gender discrimination in the film industry on both sides of the Atlantic. She accuses powerful French film entities—the Cannes Film Festival, the financing and sales outfit Wild Bunch—of being dominated by a jockish mentality. "In French, we call them footeurfooteur means they watch soccer," she says. Hollywood is not much better in her opinion. "Sometimes, I go to meetings, and people will ask me if I know what a dolly is," she says. At least in L.A., she rationalizes it as part of the local corporate culture.

"I think women have this image of being emotional. A girlfriend of mine is in meetings for producing a film, and I was like, 'Don't be passionate.' Because the smallest sign of emotion is terrifying to Hollywood because the people financing films are businessmen. And so they have no emotions. Or they [repress] them so much, they'll die of ulcers."

In a roundabout way, Hollywood's ingrained assumptions pushed Delpy into the director's chair. Before Sunset began as a series of conversations between Linklater, Delpy, and Hawke, which Delpy then worked into a 40-page first draft. While she was writing it, she remembers: "My agent called, and he was like, 'What are you doing?' And I'm like, 'Well, I'm writing a screenplay with Ethan and Richard for a sequel.'

"And he was like, 'Why are you doing that?'

"And then he called me back an hour later, and he's like, 'Well, we had a meeting, and you know, we think you're not focusing enough on your acting career.' I mean, he asked me to play a sexy Latina in Rush Hour 3 or whatever." The agent, she says, would send her to read for parts that were already cast, just to keep her busy.

"And I'm like, 'You guys have sent me on one audition in six months, and you're saying that because I'm writing, I'm not a dedicated actress?'"

The agent responded, "I think the film will never be made, and even if it's made, no one's gonna go see it."

Delpy says, "A year later, I was an Oscar nominee for writing the screenplay."

The nomination for Best Adapted Screenplay, which she shared with Hawke, Linklater, and Sunrise co-writer Kim Krizan (they lost to Sideways), made "people take me seriously," Delpy says. "Which is crazy."

She knew she had to take advantage of that craziness, and fast. "I wrote the screenplay [for] 2 Days in Paris quickly because I realized from years of going around with screenplays that people like to finance the same thing over and over." Her pitch? A man, a woman, Paris. "I went to European financiers kind of selling it as Before Sunset, but then I wrote something very different in tone. So I kind of tricked them."

Starring Delpy and her real-life ex-boyfriend Adam Goldberg as a New York–based couple on a bad European vacation, 2 Days in Paris uses the classic romantic travelogue form (Delpy's opening voiceover implicitly references Roberto Rossellini's Voyage to Italy) as a container for an equal-opportunity inspection of the fault lines in a long-term adult relationship. Delpy's actor parents, Marie Pillet and Albert Delpy, co-star as Marion's parents, their long-term happiness contrasted with their daughter's self-admitted difficulty with "deciding to be with one man for good."

Goldberg's character initially seems like a toxic jerk, but over its running time, the film's point of view flips, and boyfriend and girlfriend switch roles. Ultimately, Paris plays like a referendum on the idealized version of a captivating Frenchwoman put forth in the Before films.

"I hate that men's fantasy of how women—especially Frenchwomen—should be cute, sweet," Delpy says, noting that she created the character of Celine "with two guys, so I had to be a little more in the male point of view. Obviously, with Marion, that fantasy is out of the way. She's not an unbearable person, but she's real. She's a lot of work, like any other woman. And like every man is a lot of work. I mean, men are a lot of work," she says, laughing. "Men are prima donnas more than women now. They're very sensitive. They get offended for no reason."

Case in point: In a 2004 Sunday Times profile, writer Christopher Goodwin expressed his exasperation with how Delpy's character in Before Sunset had changed from an angelic, unformed girl in the earlier film into a "just too good to be true" woman and sniped, "Celine seems to have become the kind of person who would insist on telling you how great she is at sex while you're doing it." 2 Days in New York owns that kind of criticism by almost literalizing it. Before they're even dating, when they're just co-workers gossiping in a cubicle at The Village Voice (in a scene shot in an actual cubicle at the Voice office), Marion tells Mingus (played by Chris Rock) how good she is at fellatio: "My specialty!"

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9 comments
WorstEver
WorstEver

She´s taking on everything thats wrong with movies? SHE IS EVERYTHING WRONG WITH MOVIES!! Possibly the worst actress/writer alive today!! The movie w ethan hawk made me want to kill myself!! 30 minutes of straight dialoge at a time, horrible! 2 days in Paris is the same, its shit!! I honestly liked her till I had to sit threw those 2 movies.. No joke I wanted to kill myself. PLEASE  never make another film!!!

doctordentist
doctordentist

So the mumbling executive is a jew? but you dont say so. and she makes qn anti-semite joke and you play it as a punchline? wow...... she got you pegged for a sucka huh. why u so afraid to tell the truth on her?

lprofeta26
lprofeta26

We were never angry, castanets rang, Jim Morrison chanted in the night. The end he said, this is the end my friend rang in you pillow. Everyone around said "enjoy" Let's go to my place, what's your name, you said Tom? I have the munchies, you?Get chickpeas, 2 avocados and some Mateus, do you have sandals, your hair been purple a long time, who did it being to your waist? See "Hair" yet, oh do child.

lprofeta26
lprofeta26

Greenwich Village was the new culture petri dish in the 60's growth and birdcages walked the streets. Washington Square folk songs and beauty wore a slight tank top with Jimmy Hendricks smeared in front. At 10 PM cool horns flowed out from the open doors of The Village Gate, the newest trends were sold on West 8th Street. With a pizza slice in my mitt handball played with the Village professionals. It was grand once, Viet Nam was ever so hot it took most of your wind, there was body counts on the 6 o'clock news and photo details of fire from guns, soldiers trying to stay alive in your comfy living room, you eating potato chips drinking a beer.

filmfredrik
filmfredrik

Great piece on a great person! Linked on Sprawler:

 

sprawler.tumblr.com

jeffreyeo
jeffreyeo like.author.displayName 1 Like

Ruth explained I am in shock that you can get paid $5672 in four weeks on the computer. have you look this(Click menu Home)

francescamccaffery
francescamccaffery

Thank you, Karina, this was a wonderful interview. I actually found myself a bit annoyed upon viewing the film at Tribeca, but now, I want to give it another look... Perhaps Delpy's strength is truly in her insistence upon showing all of herself, completely- even those intolerable, disingenuous, adorable, wise parts-which make up our whole....

Andi Perry
Andi Perry

I adore Delpy! Brilliantly talented woman! I'm definitely picking up today! Thanks, Voice

 

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