From a prison phone, Joe pleads his case, attempting to cast himself as a  victim of circumstance

Lee Haven Jones’ film falls into the new subcategory of folk horror—but not for quite a while

Ryusuke Hamaguchi’s two new films invite us to settle in and absorb the connections

The spillway of info and opinion, salted with a very Romanian cynicism, plays very much like a stuffed notebook of outrages

Getting past the greenwashing hype to find real ways to give thanks to the planet year-round

Tucker Carlson says the Left is giving the Pilgrims a black eye

More phantasmagoria than biopic, ‘Spenser’ is constantly shifting between present and past, actuality and fever dream

Between the Torah, James Baldwin, and the stories of Russian master Isaac Babel, this is a film rich with quoted language

Zhao brought a level of poetry and adventure to her early work, so it’s very, very strange that ‘Eternals’ is as formulaic as it is

Movies about the creative process are notoriously difficult to pull off