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The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

Love your mother: This Sunday, gather in Union Square to celebrate the only planet we got.

VOICE CHOICE

Jumpstart Your Earth Day Vibes at Union Square

by Laura Bell

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SEVEN DECADES

Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

Straphangers: Director Joseph Sargent (center, with glasses) and cinematographer Owen Roizman prepare a close-up of a commuter having a very bad day in “The Taking of Pelham 123.”

VOICE CHOICE

‘Cinematic Immunity’ Covers the Artistry – and Insane Derring-Do – of Location Shooting in NYC

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

History Bites

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

by R.C. Baker

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The Latest
In the ’60s and ’70s, the Scenes column kept Voice readers up date on cultural happenings.

SEVEN DECADES

In 1969 Jonas Mekas Sat Down to Talk ‘Putney Swope’ with the Film’s Director Robert Downey Sr.

by Jonas Mekas

Originally published: July 10, 1969

Winking and blinking and huffing and puffing — computers have been coming after us for a long time.

SEVEN DECADES

Your Father’s AI – Computers Taking Over the World, 1963 Edition

by Mary Perot Nichols

Originally published: November 21, 1963

Robert Massa smiles mischievously in an undated photo.

SEVEN DECADES

A Day With(out) Art: In 1994, Writing Until the Very End

by R.C. Baker

December 1, 2025

The Joshua Light Show, created by Joshua White, added visual verve to the rock shows at the Fillmore East, overlaying the bands with color slides, lava-lamp-like panoramas, crystal flares, and all manner of psychedelic phantasmagorias. An example of White’s luminous concoctions can be seen on the cover of Iron Butterfly’s 1968 album, “In-A-Gadda-Da-Vida.”

SEVEN DECADES

In 1968, There was Plenty of Great Music New Yorkers Were Thankful For

by Annie Fisher

Originally published: December 5, 1968

The many faces of John Lindsay over the years, as captured by Voice photo editor Fred McDarrah.

SEVEN DECADES

In 1973, Mayor Lindsay Left Behind Little But Disappointment

by Clark Whelton

Originally published: March 15, 1973

2_FI_Orwellian President

SEVEN DECADES

In 1972, Disgust with an Orwellian President was Growing

by David McReynolds

Originally published: May 4, 1972

Gift to the author from art director Ted Keller.

SEVEN DECADES

Stopping The Presses

by R.C. Baker

Originally published: September 20, 2017

Along with this chapter of art history, we also find some intriguing ads on these Voice archive pages.

SEVEN DECADES

Robert Rauschenberg Centenary: Throwdown at the 1973 Scull Auction

by Alexander Cockburn

Originally published: October 25, 1973

1970_0521_Hard hat riot REQUIEM FO THE PAYDAY PATRIOTS_joe flaherty

SEVEN DECADES

New York’s 1970 ‘Hard Hat Riot’ Was a Precursor of Today’s MAGA Demagoguery

by Joe Flaherty

Originally published: May 21, 1970

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