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NEW YORK
From Ashes to Hard Courts: Can Willets Point Be Saved?
By Ruthie Kornblatt-Stier
NEW YORK
Did Donald Trump Steal His Act from Brother Theodore?
By R.C. Baker
THE FRONT
The Dangerous Politics Behind NYC’s Lifeguard Shortage
By Ruthie Kornblatt-Stier
Path 2
NEW YORK
From Ashes to Hard Courts: Can Willets Point Be Saved?
By Ruthie Kornblatt-Stier
ART ARCHIVES
Money and Art Marry: The Scull Auction at Sothebys
By Alexander Cockburn
NEW YORK
Did Donald Trump Steal His Act from Brother Theodore?
By R.C. Baker
Path 2
FILM
Bloodthirsty fascist autocrats as vampires? ‘El Conde’ has your ticket.
By Michael Atkinson
VOICE CHOICE
An ‘Infinite Staircase’ of World Premieres in Williamsburg
By Ben Gambuzza
ART
Art at the Borders of East and West – and War
By R.C. Baker
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Combined Shape
VVLOGO_NEWBLUE
59E59 Theaters
FILM ARCHIVES
‘The Collector’ Feels Like a Two-Hour Trap
by
Helen Shaw
November 4, 2016
FILM ARCHIVES
Civil Bluster: Vaudevillian Repartee Overtakes Human Stakes in ‘Butler’
by
Zac Thompson
August 3, 2016
FILM ARCHIVES
‘How Alfo Learned to Love’ Is a Romance Set in a Bakery — But Is It Worth Your Dough?’
by
Phoebe Hoban
December 22, 2015
FILM ARCHIVES
The Clock Strikes One: Mark Thomas’s Monologue ‘Cuckooed’ Is More Hit Than Miss
by
Tom Sellar
November 10, 2015
FILM ARCHIVES
Cogent and Beautifully Acted, ‘Sense of an Ending’ Challenges Our Notions of ‘History’
by
Miriam Felton-Dansky
August 25, 2015
FILM ARCHIVES
‘Threesome’ Gives New Meaning to the Term ‘Embedded’
by
Jacob Gallagher-Ross
July 28, 2015
FILM ARCHIVES
A Son Tells His Father’s Tumultuous Tale in The Tailor of Inverness
by
Molly Grogan
April 22, 2015
FILM ARCHIVES
French Miss: Music Hall’s NYC Debut Is Out of Tune
by
Molly Grogan
April 1, 2015
FILM ARCHIVES
Dukes of Hazard: Off Broadway, James Dickey’s Deliverance Fails To
by
Miriam Felton-Dansky
October 22, 2014
FILM ARCHIVES
The Lovesong of Alfred J Hitchcock Waxes Psychological Ad Nauseam
by
Miriam Felton-Dansky
May 14, 2014
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