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The Harpy
The Real Link Between the White House and the Kremlin
By Talia Lavin
Transit
Maybe We Didn’t Need the Second Avenue Subway After All
By Aaron Gordon
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Ten Years Later, “The Dark Knight” and Its Vision of Guilt Still Resonate
By Bilge Ebiri
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In “The Mere Wife,” Beowulf Goes to the ‘Burbs
By Alana Mohamed
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Summits Past: When the Evil Empire Out-Charmed the Great Communicator
By R.C. Baker
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Preserving Palestinian Culture, One Seed at a Time
By Joshua David Stein
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The Piercing “Pin Cushion” Looks Like Comedy but Stings Like Tragedy
By Serena Donadoni
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In “The Mere Wife,” Beowulf Goes to the ‘Burbs
By Alana Mohamed
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Scaling the Action Severely Down, a Black-Box “Trainspotting” Comes Up Aces
By Mike Laws
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Zac Thompson
Theater
“Transparent Falsehood” Tells Us What We Already Know About Our Scary Clown in Chief
by
Zac Thompson
May 10, 2018
Theater
Marin Ireland Supplies a Brazen Intensity to Tennessee Williams’s “Summer and Smoke”
by
Zac Thompson
May 8, 2018
Theater
“Goldstein,” a Musical About a Tell-All Family Memoir, Could Use Some Punching Up
by
Zac Thompson
April 10, 2018
Theater
A Stage Version of “The Master and Margarita” Turns a Great Novel Into a Head-Scratcher
by
Zac Thompson
August 30, 2017
Theater
A Biographical Musical Captures Woody Guthrie’s Mission to Right the Nation’s Wrongs
by
Zac Thompson
August 3, 2017
Theater
“Napoli, Brooklyn” Playwright Meghan Kennedy on Mining Personal History for Drama
by
Zac Thompson
July 17, 2017
Theater
Sarah Ruhl’s “How to Transcend a Happy Marriage” Leads to a Raucous New Year’s
by
Zac Thompson
April 26, 2017
Theater
In O’Neill’s “The Hairy Ape,” an Everyday Laborer Awakens to an Uncaring World
by
Zac Thompson
April 5, 2017
Theater
Must-See Performance Festivals Kick Off 2017
by
Zac Thompson
,
Elizabeth Zimmer
,
Miriam Felton-Dansky
,
Joseph Cermatori
and
Jennifer L. Pozner
December 28, 2016
Theater
The Co-Directors of ‘Private Manning Goes to Washington’ on Freedom, Information, and Activist Theater
by
Zac Thompson
December 1, 2016
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