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A mockup for mockery.

SEVEN DECADES

A Monument to a Corrupt POTUS – 1977 Version

by Howard Smith & Brian Van der Horst

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Freshly blooming solidarity coming this May Day.

VOICE CHOICE

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

by Laura Bell

“They remain terrifying and beautiful, like death and the human condition”:  Samson Flexor’s 1968 “Portrait of Vilém Flusser” and “Monster” (1969); pages 39 and 40 of “The Society of the Screen.”

BOOKS

‘The Society of the Screen’ Spotlights a Prophet of Tech Anxiety

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

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Cinema Village

FILM ARCHIVES

Morality Drama “The Ticket” Uses Blindness to Tell Us All to Open Our Eyes, Man

by Kenji Fujishima

April 6, 2017

FILM ARCHIVES

Here Alone’s Undead Apocalypse Is Familiar but Still Compelling

by Tatiana Craine

March 28, 2017

FILM ARCHIVES

Bill Paxton’s Offhand Mastery Powers On-the-Run Thriller “Mean Dreams”

by Luke Y. Thompson

March 15, 2017

FILM ARCHIVES

Don’t Let Headshot’s Title Fool You: Iko Uwais’s Latest Is About Glorious Ass-Kicking

by Craig D. Lindsay

March 1, 2017

FILM ARCHIVES

‘The Daughter’ Brings an Ibsen Play to Australia, but His Spirit Is Still in 19th-century Norway

by Serena Donadoni

January 26, 2017

FILM ARCHIVES

The Latest Climate-Change Doc Finds Hope Amid Rising Sea Levels

by Danny Bowes

January 25, 2017

FILM ARCHIVES

Patricidal Thriller ‘My Father Die’ Is as Artless as Its Title

by Nick Schager

January 25, 2017

FILM ARCHIVES

New Doc Reminds Us That the Earliest Climate-Change Scientists Have Been Sounding the Alarm for Decades

by Alan Scherstuhl

January 18, 2017

FILM ARCHIVES

The Latest Banksy Doc Demonstrates, Again, That Almost All Responses to Banksy Are Wrong

by Chris Packham

January 18, 2017

FILM ARCHIVES

Mexican Horror Debut ‘We Are the Flesh’ Inspires Rare Revulsion

by Rob Staeger

January 18, 2017

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