Cinema Village

Morality Drama “The Ticket” Uses Blindness to Tell Us All to Open Our Eyes, Man

by Kenji Fujishima

April 6, 2017

Here Alone’s Undead Apocalypse Is Familiar but Still Compelling

by Tatiana Craine

March 28, 2017

Bill Paxton’s Offhand Mastery Powers On-the-Run Thriller “Mean Dreams”

by Luke Y. Thompson

March 15, 2017

Don’t Let Headshot’s Title Fool You: Iko Uwais’s Latest Is About Glorious Ass-Kicking

by Craig D. Lindsay

March 1, 2017

‘The Daughter’ Brings an Ibsen Play to Australia, but His Spirit Is Still in 19th-century Norway

by Serena Donadoni

January 26, 2017

The Latest Climate-Change Doc Finds Hope Amid Rising Sea Levels

January 25, 2017

Patricidal Thriller ‘My Father Die’ Is as Artless as Its Title

by Nick Schager

January 25, 2017

New Doc Reminds Us That the Earliest Climate-Change Scientists Have Been Sounding the Alarm for Decades

by Alan Scherstuhl

January 18, 2017

The Latest Banksy Doc Demonstrates, Again, That Almost All Responses to Banksy Are Wrong

by Chris Packham

January 18, 2017

Mexican Horror Debut ‘We Are the Flesh’ Inspires Rare Revulsion

January 18, 2017