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POLITICS
Party Like It’s 1923: Will Donald Trump Write His Own ‘Mein Kampf’ in Jail?
By R.C. Baker
NEW YORK
As Eric Adams Runs His Administration Up Flagpoles, Will Voters Salute?
By John Teufel
POLITICS
A Land With No Answers
By Ross Barkan
Path 2
News
When Ryder Fell, NYC’s Carriage Horse Industry Moved (Again) Into the Spotlight
By Tracy Basile
CULTURE
Put Your Art-Collecting Bucks to Good Use: Ukraine Benefit Show, the Sequel
By R.C. Baker
NEW YORK
As Eric Adams Runs His Administration Up Flagpoles, Will Voters Salute?
By John Teufel
Path 2
MUSIC
Gerry Eastman – Not Just His Brother’s Keeper
By Ben Gambuzza
MUSIC ARCHIVES
That Which is Fundamental: Julius Eastman, 1940 – 1990
By Kyle Gann
BOOKS
Part Scrapbook, Part Cookbook – ‘Diner: Day for Night’ Reflects on the Making of One of the City’s Most Enduring Restaurants
By Brittany Natale
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VVLOGO_NEWBLUE
Cinema Village
FILM ARCHIVES
Morality Drama “The Ticket” Uses Blindness to Tell Us All to Open Our Eyes, Man
by
Kenji Fujishima
April 6, 2017
FILM ARCHIVES
Here Alone’s Undead Apocalypse Is Familiar but Still Compelling
by
Tatiana Craine
March 28, 2017
FILM ARCHIVES
Bill Paxton’s Offhand Mastery Powers On-the-Run Thriller “Mean Dreams”
by
Luke Y. Thompson
March 15, 2017
FILM ARCHIVES
Don’t Let Headshot’s Title Fool You: Iko Uwais’s Latest Is About Glorious Ass-Kicking
by
Craig D. Lindsay
March 1, 2017
FILM ARCHIVES
‘The Daughter’ Brings an Ibsen Play to Australia, but His Spirit Is Still in 19th-century Norway
by
Serena Donadoni
January 26, 2017
FILM ARCHIVES
The Latest Climate-Change Doc Finds Hope Amid Rising Sea Levels
by
Danny Bowes
January 25, 2017
FILM ARCHIVES
Patricidal Thriller ‘My Father Die’ Is as Artless as Its Title
by
Nick Schager
January 25, 2017
FILM ARCHIVES
New Doc Reminds Us That the Earliest Climate-Change Scientists Have Been Sounding the Alarm for Decades
by
Alan Scherstuhl
January 18, 2017
FILM ARCHIVES
The Latest Banksy Doc Demonstrates, Again, That Almost All Responses to Banksy Are Wrong
by
Chris Packham
January 18, 2017
FILM ARCHIVES
Mexican Horror Debut ‘We Are the Flesh’ Inspires Rare Revulsion
by
Rob Staeger
January 18, 2017
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