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A mockup for mockery.

SEVEN DECADES

A Monument to a Corrupt POTUS – 1977 Version

by Howard Smith & Brian Van der Horst

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Freshly blooming solidarity coming this May Day.

VOICE CHOICE

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

by Laura Bell

“They remain terrifying and beautiful, like death and the human condition”:  Samson Flexor’s 1968 “Portrait of Vilém Flusser” and “Monster” (1969); pages 39 and 40 of “The Society of the Screen.”

BOOKS

‘The Society of the Screen’ Spotlights a Prophet of Tech Anxiety

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

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Theater

Theater archives

Minor Theater’s Julia Jarcho on Fear, Gogol, and How to Make Theater Scary

by Miriam Felton-Dansky

March 21, 2017

Theater archives

In “Villa,” Guillermo Calderón Asks Whether Brutality Is Worth Remembering

by Miriam Felton-Dansky

March 15, 2017

Theater archives

You’re the Worst’s Aya Cash Takes On “The Light Years”

by Alexis Soloski

March 14, 2017

Theater archives

Sally Field’s “Glass Menagerie” Remains Unbreakable, While the Electric “Light Years” Proves Unfathomable

by Michael Feingold

March 14, 2017

Theater archives

“Demerara Gold” Is A Black Feminist Caribbean Play You Need To See

by Alana Mohamed

March 10, 2017

Theater archives

LCT3’s Tale of Love, Education, and Suffrage Is Insufficiently Radical

by Miriam Felton-Dansky

March 8, 2017

Theater archives

Joys Great and Small: A Spectacular ‘Skin of Our Teeth’ and Will Eno’s Tiny ‘Wakey Wakey’

by Michael Feingold

March 7, 2017

Theater archives

Stellar ‘Dolphins and Sharks’ Pits the Powerless Against One Other

by Miriam Felton-Dansky

March 1, 2017

Theater archives

Kimi Maeda’s Ruminative New Show Takes On the Japanese-American Experience

by Nicole Serratore

March 1, 2017

Theater archives

Tracy Letts’ Man from Nebraska Raises (and Drops) Searching Questions.

by Michael Feingold

February 28, 2017

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