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A mockup for mockery.

SEVEN DECADES

A Monument to a Corrupt POTUS – 1977 Version

by Howard Smith & Brian Van der Horst

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Freshly blooming solidarity coming this May Day.

VOICE CHOICE

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

by Laura Bell

Half a century and counting: Adrien Brody, once more in the Village Voice, photographed by his mother, Sylvia Plachy — this time during rehearsals for the Broadway play “The Fear of 13.”

Theater

Being Adrien Brody: Hollywood, Broadway, and the Decisive Moments of His Youth

by R.C. Baker

“They remain terrifying and beautiful, like death and the human condition”:  Samson Flexor’s 1968 “Portrait of Vilém Flusser” and “Monster” (1969); pages 39 and 40 of “The Society of the Screen.”

BOOKS

‘The Society of the Screen’ Spotlights a Prophet of Tech Anxiety

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

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Theater

Theater archives

The Walls Have Ears: A Sentient Parlor Observes Generations of Inhabitants in “The Room Sings”

by Elizabeth Zimmer

April 12, 2017

Theater archives

Sisters in Arms: War Paint’s and Amélie’s Leading Ladies Run the Show

by Michael Feingold

April 11, 2017

Theater archives

In O’Neill’s “The Hairy Ape,” an Everyday Laborer Awakens to an Uncaring World

by Zac Thompson

April 5, 2017

Theater archives

Breaking “Sweat”: How a Blue-Collar Drama Crossed Over to the Great White Way

by Alexis Soloski

April 5, 2017

Theater archives

Adrienne Truscott on Striking the Right Balance Between Risk and Expectation

by Miriam Felton-Dansky

April 4, 2017

Theater archives

Center Stage: This Spring’s Must-See Theater

by Miriam Felton-Dansky and Helen Shaw

March 29, 2017

Theater archives

Laurie Metcalf Punches Back in “A Doll’s House, Part 2”

by Alexis Soloski

March 29, 2017

Theater archives

In “Cry Havoc,” Stephan Wolfert Recounts His Transition From Soldier to Actor

by Nate Bethea

March 29, 2017

Theater archives

‘Come From Away’ and ‘The Price’ Weigh the Pros and Cons of Basic Human Kindness

by Michael Feingold

March 28, 2017

Theater archives

Flaming Out: A New Musical About Joan of Arc Oversells Its Timeliness

by Joseph Cermatori

March 22, 2017

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