Now Dickens, Now Foreman, Now a Cannibal Christmas Tree

A A A Comments By Alexis Soloski Tuesday, Dec 20 2005

Director-designer Ken Nintzel makes mincemeat (or, perhaps, mincemeat pies) of a half-dozen holiday classics in 'Twas the Night Before the Twelve Days of a Nutcracker Christmas Carol. Amid shrieks, laughs, groans, stamping, and the "Waltz of the Snowflakes," an unseen Richard Foreman solemnly intones, "Now, Dasher! Now, Dancer! Now, Prancer and Vixen!" Meanwhile, two rotating platforms drunkenly revolve, exposing a score of performers dashing and prancing through Tchaikovsky's German town, Dickens's London, and some strange realms betwixt and between.

photo: courtesy of PS 122

Chuck Blasius as Scrooge and Jenny Seastone Stern as Clara

Details

'Twas the Night Before the Twelve Days of a Nutcracker Christmas Carol
By Ken Nintzel
P.S.122
150 First Avenue
212-352-3101

More About

Like this Story?

Sign up for the Offstage Voice Newsletter: (Up to multiple times a week) Information on theater and the performing arts.

Nintzel offers oddball homage to all manner of holiday narratives. Under-rehearsed and slapdash (the set entangles itself in the Christmas tree, gowns slip off their wearers, toupees fall askew), 'Twasnevertheless pays loving tribute to these tales and manages a complete version of each in less than an hour. Throughout, giddiness and blithe ungainliness color the production, particularly the dancing. Indeed, when a twirler executes a perfect arabesque, it comes as a strange if not unwelcome surprise. But rather than sophistication or expertise, it's the sugarplum sweetness of the project and the devotion of the performers—and perhaps a particular costume involving several geese—that silence any cries of "Bah, humbug!"

In earlier shows such as Pageant and Lapse, Nintzel also paid tribute to tradition and festival. If infinitely more spirited than the latter, 'Twas is somewhat less fully realized than the former. Should Nintzel revive the show next winter (and he should!), he might improve upon that troublesome set and create rather more interplay between the various stories. The piece's most extraordinary moments occur when characters from one world tumble into the other—well, that and the part where the Christmas tree eats Clara.

Check out this week's featured ad for News