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NEW YORK
From Ashes to Hard Courts: Can Willets Point Be Saved?
By Ruthie Kornblatt-Stier
NEW YORK
Did Donald Trump Steal His Act from Brother Theodore?
By R.C. Baker
THE FRONT
The Dangerous Politics Behind NYC’s Lifeguard Shortage
By Ruthie Kornblatt-Stier
Path 2
NEW YORK
From Ashes to Hard Courts: Can Willets Point Be Saved?
By Ruthie Kornblatt-Stier
ART ARCHIVES
Money and Art Marry: The Scull Auction at Sothebys
By Alexander Cockburn
NEW YORK
Did Donald Trump Steal His Act from Brother Theodore?
By R.C. Baker
Path 2
VOICE CHOICE
An ‘Infinite Staircase’ of World Premieres in Williamsburg
By Ben Gambuzza
ART
Art at the Borders of East and West – and War
By R.C. Baker
BOOKS
Dancers and Dance Writers Tell It Like It Was, Is, and Will Be
By Elizabeth Zimmer
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Combined Shape
VVLOGO_NEWBLUE
Abbas Kiarostami
FILM ARCHIVES
Iran’s “No Date, No Signature” Asks Why It’s So Hard for Men to Face What They’ve Wrought
by
Craig D. Lindsey
July 31, 2018
FILM ARCHIVES
‘It Helps to Love Without Possessing the Person’: An Interview With Juliette Binoche
‘What does true love mean?’ asks the radiant French actress, who stars in Claire Denis’s new “Let the Sunshine In”
by
Kristen Yoonsoo Kim
May 8, 2018
FILM ARCHIVES
Reality Stars: “The Non-Actor” Surveys Amateur Performance in the Movies
by
Leo Goldsmith
November 25, 2017
FILM ARCHIVES
Kiarostami’s The Wind Will Carry Us Is a Mystery of Ineffable Beauty
by
Calum Marsh
May 30, 2014
FILM ARCHIVES
Kiarostami in Exile for Like Someone in Love
by
Eric Hynes
February 13, 2013
FILM ARCHIVES
Like Someone in Love Teases the Realm of the Senses
by
Scott Foundas
February 13, 2013
FILM ARCHIVES
Finding (Fake?) Love in Abbas Kiarostami’s Certified Copy
by
J. Hoberman
March 9, 2011
FILM ARCHIVES
Close-Up
by
Jim Hoberman
January 26, 2011
FILM ARCHIVES
Cannes Jury of One
by
J. Hoberman
May 25, 2010
FILM ARCHIVES
Close-Up: Iranian New Wave’s Seminal Creation
by
Michael Atkinson
March 24, 2010
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