Skip to content
A mockup for mockery.

SEVEN DECADES

A Monument to a Corrupt POTUS – 1977 Version

by Howard Smith & Brian Van der Horst

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Freshly blooming solidarity coming this May Day.

VOICE CHOICE

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

by Laura Bell

“They remain terrifying and beautiful, like death and the human condition”:  Samson Flexor’s 1968 “Portrait of Vilém Flusser” and “Monster” (1969); pages 39 and 40 of “The Society of the Screen.”

BOOKS

‘The Society of the Screen’ Spotlights a Prophet of Tech Anxiety

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

VVLOGO_NEWBLUE

Onlyfans

Facebook Twitter Instagram
  • About Us
  • Staff
  • Jobs
  • Contact Us
  • Privacy
  • Terms of Use
  • About Us
  • Staff
  • Jobs
  • Contact Us
  • Privacy
  • Terms of Use
  • The Front
  • The City
  • The Culture
  • The Front
  • The City
  • The Culture
VVLOGO_NEWBLUE

Christopher Nolan

FILM ARCHIVES

The Dark Knight: Selling Tickets – and a Muddled Political Message

The movie asks America a question: Will you sacrifice your privacy, accept surveillance of your every phone call, as if you were a villain, in order to snare terrorists?

by R.C. Baker

Originally published: July 29, 2008

Village voice article about THE DARK KNIGHT movie

FILM ARCHIVES

Ten Years Later, “The Dark Knight” and Its Vision of Guilt Still Resonate

by Bilge Ebiri

July 18, 2018

“2001: A Space Odyssey” and the Limits of Vision

by Bilge Ebiri

May 19, 2018

FILM ARCHIVES

“Dunkirk” Is the Movie Christopher Nolan Was Born to Make

It’s a nerve-racking nesting doll of ticking-clock narratives. And it’s incredible.

by Bilge Ebiri

July 17, 2017

FILM ARCHIVES

Interstellar May Be Grand, But It Doesn’t Connect

by Stephanie Zacharek

October 29, 2014

FILM ARCHIVES

Transcendence Director Wally Pfister Doesn’t Want Immortality (Neither Does Johnny Depp)

by Amy Nicholson

April 16, 2014

Technology

In May I Kill U?, a Psycho Bike Cop Takes to YouTube

by Chris Packham

January 29, 2014

FILM ARCHIVES

The Four Types of Spoilers and How Reviewers Should Handle Them

by Chris Klimek

October 30, 2013

FILM ARCHIVES

Race 2: Action, as You’d Expect

by Simon Abrams

January 30, 2013

FILM ARCHIVES

Self-Important, The Dark Knight Rises Feels Like Batman Forever

by Nick Pinkerton

July 18, 2012

< Prev Page1 Page2 Next >
  • About Us
  • Staff
  • Contact Us
  • Advertise
  • Terms of Use
  • Policies
  • About Us
  • Staff
  • Contact Us
  • Advertise
  • Terms of Use
  • Policies
Facebook Twitter Instagram

©2023 VILLAGE VOICE, LLC. ALL RIGHTS RESERVED.    |    SITE MAP