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Purple Drizzle

Prince's fair-to-middling latest is a sad sign o' the times

If he hadn't choked to death in London's Samarkand Hotel 37 years ago, how many mediocre records would Jimi Hendrix have dropped by now? Stevie . . . the Stones . . . Sir Paul . . . they're all way past the point where any residual genius is still expected. Since at least The Gold Experience over a decade back, Prince—sadly, inevitably— is right there with 'em. Onstage, he's still a sexy beast, as irresistible a force as Parliament-Funkadelic. But re Planet Earth, it's hard to imagine a purple protégé—Jesse Johnson, say—putting out anything worse.

Which doesn't make it suck. One of the best ax men of his generation, Prince energetically cranks through a Coldplay/U2-inspired riff on "Guitar," an ode to loving his instrument more than his lady. (Something his two ex-wives must know something about.) Casting off the Linn drums that define his '80s work, Earth instead follows the full-drum lead established on Diamonds and Pearls, and new tracks like "Lion of Judah" and "The 1 U Wanna C" (his first Wendy & Lisa collaborations in 20 years!) are the better for them. But the problem here isn't technical, or even musical. Once upon a time, Prince strutted around the Bottom Line, strumming G chords in a G-string, screaming about blowjobs and incest. But hip-hop did shock and awe better—Prince could never be more salacious than BET Uncut dancers or rappers fucking for voyeuristic fans during song interludes. So in the '90s, he went syrupy. (Think "The Most Beautiful Girl in the World.") Earth's "Future Baby Mama" comes in that model, an easy-listening ballad passé by anybody's standards, much less Prince's. More successful is "Somewhere Here on Earth," a slow jam with muted trumpet up front as Prince rues the BlackBerry era. ("In this digital age/You could just page me/I know it's the rage/But it just don't engage me.")

Anti-war, pro-environment, religious ("Chelsea Rodgers" only gives up trim if you're baptized), and funky, Planet Earth is still merely an excuse to tour, as obligatory for Prince as any other artist who's been around this long. (He's walked 29 years in those high heels since For You, after all.) Until an '80s nostalgic like the Roots' ?uestlove gets executive-producer duty—assuming Prince will ever deign to take outside direction at all—we'll end up with mixed-to-middling records like this one: 3121, Musicology, etc. At least he's starting to give 'em away free.

 
  • bronxbiannual 08/05/2007 1:35:00 PM

    miles marshall lewis is quite right, though die-hard prince fans will never see the emperor's new clothes for what they are. prince hasn't delivered an album i liked all the way through since 'the truth', the bonus disc that came with 'crystal ball'. i don't get the sense that lewis is hung up on the past. this album (and the one before that, and the one before that) just isn't that inspired. why can madonna come up with a slammin' album like 'confessions on a dancefloor' 20 years after her first album, and prince can't?

  • cacy82 07/30/2007 3:07:00 PM

    Miles Marshall Lewis why are you trippin'? I agree with the previous commenter and wonder why in the world you being paid to talk out the side of your neck about the past. Obviously, unlike you, Prince escaped his.

  • jackmitz 07/26/2007 4:12:00 AM

    Mr. Lewis, I am aghast at your "review" of Planet Earth, a review that focuses on Prince's past rather than the present. So, he isn't naughty anymore. Who cares?! People grow. People change. Who wants to hear an almost 50 year old man singing about oral sex?! One thing that hasn't changed is the beauty within his songs. This album is FULL of brilliant instrumentation. Check out the RIPPIN' guitar solo at the end of the title track. Listen to the vocal gymnastics that Prince throws off with ease on "Somewhere Here on Earth" and "Future Baby Mama". What about the SICK horn charts on "Chelsea Rodgers"? It is such a shame that you can't find the beauty in this release, let alone past releases like "Emancipation" and "The Rainbow Children" . The fact that Prince's music has evolved is a tired story, Mr. Lewis. And longing for the past is somewhat pathetic, don't you think?

 

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