By Steve Weinstein
By Bryan Bierman
By Lindsey Rhoades
By Chaz Kangas
By Ben Westhoff and Sarah Purkrabek
By Jena Ardell
By Jesse Sendejas Jr.
By Katherine Turman
The "band" is actually Jesse Elliott, whose singer-songwriter strummings are balanced by the psychedelic arrangements of producer David Strackany, who chimes in with vibes, glockenspiel, mandolin, and lots of off-kilter keyboards. A cast of guest musicians (dubbed the Federal Reserve Collective) add flavoring such as tabla, cello, and French horn. The result is cute and sweet, except when it's not, which is when you listen closely. Behind the cotton-candy arrangements are songs about despair, demons, and D.C. women who cast aside poor Elliott to enjoy "weekends on the wrong side of the tracks." Elliott's whispered vocals seduce even when they lack range—he lets his lyrics do the talking anyway, as in "First Sight," a fantastical narrative that seeks to prove Lou Reed's claim that in between thought and expression lies a lifetime.
Elsewhere, a fist-raising chorus powers "Burn This Bridge," while Burt Bacharach–derived horns trumpet Elliott's classic-pop influences. The short songs too often find him serving up tasty, melodic morsels, only to snatch them away before you're fully satisfied. But perhaps, just like the deceitful lovers he's rhapsodizing, Elliott's trying to leave you wanting more.
These United States play the Cake Shop April 10, cake-shop.com