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Steve Buscemi's Bad Luck as the Saint John of Las Vegas

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Saint John of Las Vegas
Directed by Hue Rhodes
Indie Vest Pictures
Opens January 29

"When I lived in Las Vegas, I had plenty of luck. The trouble is, most of it was bad." So John Alighieri (Steve Buscemi) introduces himself in voiceover at the beginning of Saint John of Las Vegas—and, yes, the film is in fact loosely "inspired" by Dante, complete with a guide named Virgil (Romany Malco). Writer/director Hue Rhodes's debut doesn't really do anything with the reference point besides hope some gravitas rubs off. In detailing the long, weird odyssey of car-insurance employee John through his first fraud investigation, Rhodes watches as Buscemi—his eyes more sunken-in and cadaverous than usual—comes to terms with his gambling addiction and the no-shit revelation that, like many men, he's destined for comfortable mediocrity. Getting to that point requires a putatively wacky journey through the southwest with sullen Virgil—the fraud investigator showing him the ropes, whose motives remain unclear—that veers between occasional laughs and portentous drama. As for Dante: Does a carny whose fire-suit keeps randomly lighting on fire (Harold Cho) count as suitably purgatorial? Mostly, Saint John traps good comic performers—including Malco and Peter Dinklage as John's boss—in airless editing and an unproductive, unresolved, sludgy tone.

 
  • robert williams 08/09/2010 5:29:00 PM

    Steve Buscemi should be Barney Fife on a remake of Andy Griffith !!!

  • Hue Rhodes 01/27/2010 6:18:00 PM

    Hi, I'm Hue Rhodes, writer/director of Saint John of Las Vegas. I'm sorry you didn't enjoy the film. Thanks for reviewing it anyway. A quick note about The Inferno. My friend and Dante scholar Robert Hollander urged me to avoid a literal adaptation, and instead use the poem for inspiration. So that's what I did. I never expected the audience to remember Dante while watching the film. But all the characters come from The Inferno. The Flame Lord, specifically, is inspired by Ulysses in Canto 26. More importantly, Dante influences the film's spirit. The Inferno begins with Dante ethically confused. He sees the full implications of misguided action, and finishes his trip at peace. So does John (Buscemi.) It is not the classic hero's journey, but perhaps appropriate for our time. Dante and John both take the time to talk to life's cast-offs, rather than judging or dismissing them. Which, again, is valuable these days. Hue Rhodes | @huerhodes | www.huerhodes.com

 

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