By Alan Scherstuhl
By Alan Scherstuhl
By Stephanie Zacharek
By Stephanie Zacharek
By Aaron Hills
By Melissa Anderson
By Alan Scherstuhl
By Stephanie Zacharek
8. Melissa Joan Hart had a stage mom.
At least three people affiliated with Clarissa Explains It All describe Hart's mother as a difficult figure. Clarissa creator Mitchell Kriegman even attributes Hart's posing for Maxim as part of her marketing campaign for Drive Me Crazy as "just her mom trying to change her profile." That Hart was cast as Clarissa in the first place speaks to her talent and charm, since Nickelodeon employed a screening system during the audition process to weed out any child actors with troublemaking parents.
7. Nickelodeon was an incubator for behind-the-scenes talent.
Sure, the network never produced enduring stars the way the Mickey Mouse Club did with Justin Timberlake or Ryan Gosling. But Suzanne Collins, the author of The Hunger Games, is a veteran of the Clarissa writing staff, while Janie Bryant, Mad Men's revered costume designer, got her start dressing Pete and Pete. Justified creator Graham Yost got his first taste of cowboy country as the showrunner for Hey Dude. Yost was known around the set for his bizarre practical jokes: "Whenever we did any dining scene in Hey Dude, there'd be a thing of lard on the middle of the table. Just for giggles," remembers one cast member.
6. Pete & Pete alumni take credit for creating hipsters.
"Pete & Pete was a really low-budget show--we had to wear a lot of our own clothes," recalls Alison Fanelli, who played Big Pete's best friend, Ellen. "You couldn't wear anything too trendy--a lot of denim and white shirts and things that were really run-of-the-mill. . . . We didn't even start wearing makeup until three or four years into the show." Whether it's just the cyclical nature of fashion or costume designer Janie Bryant's "accents of vintage pieces," the clothes on the show now seem like they had a special stylishness, a "Wes Anderson aesthetic" to them. "I live in Silver Lake and it's true," Bryant says. "All hipsters look like characters from Pete & Pete!"
5. The green slime was seriously gross.
Nicknamed "Gak"--after the street name for heroin, infers Marc Summers--Nickelodeon's hate-gift to parentkind was an ever-changing mixture of gelatin, food coloring, oatmeal, baby shampoo, cottage cheese, applesauce, milk powder, vegetable oil, and liquid latex. A writer on You Can't Do That describes the texture as "taking a bath in mud," while one slimee remembers it tasting "like nothing, like Cream of Wheat without sugar." Kids in the audience loved the slime, but many adults weren't fans. Laybourne recalls, "We did get negative reports from George Gerbner's ‘violence on television' studies. He would give us a violence rating for slime that would count the same as a decapitation."
4. The child performers were paid peanuts.
Many of the You Can't-ers stopped complaining about getting slimed after the network started throwing green at the green: The ones to get gooped got an extra $25 or $50 for their ordeal. Those few dollars must have been worth it, since they got paid a measly $260 per week otherwise, according to Christine "Moose" McGlade. Tim Lagasse, an artist and puppeteer who worked on a number of Nick shows, lays down the truth: "Nickelodeon likes young people who don't have much experience, because they're cheap."
3. Doo-wop was instrumental to the network's early branding efforts.
The scat-heavy stylings of doo-wop were used in both the "Nick-nick-nick-nick-nick-nick-nick-nick, NICKELODEON!" jingle and the Clarissa Explains It All theme song. Given his grandiose explanation of Nick's musical signature, network exec Fred Seibert apparently thought the music on his network had to be more than catchy: "We grew up in the age of civil rights, thinking that black music was exotic but that it was more authentic than the other music that was around at the time. And we really believed in our hearts--even though we used it as a sales pitch--that educating America's youth with the sounds of black music was good for American culture."
2. Rugrats became a target of the Anti-Defamation League.
Multiculti-minded viewers may fondly remember Passover and Hanukkah at the Pickles residence, but some Jewish audiences saw something sinister in the baby cartoon. Michael Bell, who voiced the Pickles men, recalls, "People from the [ADL] started complaining that Grandpa Boris was a caricature that Hitler had designed to create animosity toward Jews." (Never mind that Grandpa Boris was a dead ringer for heroic Tommy.) The accusation made Bell defensive: "I'm Jewish! That's what my grandfather looked like! They came from small communities; they were not beauties. My grandmother was a cute little potato! My grandfather was a potato!"
1. The campfire on Are You Afraid of the Dark? was always pre-lit to keep children from learning how to strike a match.
Viewers at home may have been safe, but the kid actors were left to play with fire and work in an asbestos-lined studio. And the "fairy dust" they used as a transition to the story of the week? "It was Cremora, the nondairy cream[er]," reveals creator D.J. MacHale. "It was petroleum-based, and actually burns. Then we also added some pyrotechnics to the fire itself." That's a perfect summary of '90s Nick: an alchemical conversion of a good story and some budget-conscious effects into magic.
@AirDJ31 I think you mean "sneak peek"
@JaycubNewtunz i didn't have cable :(
@poloshot Ah this is amazing! The photo of Clarissa alone is wonderful.
Why call the puppeteer a "Christian puppeteer"? He only played at some church groups. He also performed for a baseball team. So i suppose that makes him a baseball player? Lucky he didn't perform at any hospital. or otherwise he might have been operating on us.
Is this author aware that Alanis Morrisette and her twin brother were the twins on 'You Can't Do That'
So they did produce stars just like the mickey mouse club, better even because she did not end up like a cracked up bimbo such as Lohan did.
Nice piece. SNICK used to be a tradition for my brother and I on Saturday nights.
Don't forget Rocko's Modern Life.
When Ren and Stimpy began to fade out due to all the John K. controversy, that was actually a nice show that really helped tide me over in Ren and Stimpy's absence. They might have gone a little TOO hard with the "how many adult references can we slip into this so-called kid's cartoon" syndrome though.
@StealthMountain I think so too.
@zjones9876Boris was actually banned from the Rugrats comic strip for this particular comic: http://tinyurl.com/o3gg8t8. The Anti-Defamation League believed that he and the rest of the synagogue's congregation were chanting the Mourner's Kaddish, a Jewish prayer recited by people mourning deceased loved ones. However, based upon how happy everyone looks, it is much more likely that they're reciting the Hatzi Kaddish (or Reader's Kaddish), a prayer which has the same words but has no connotations of death and is recited halfway through a service.
@monkfrodo13 before you get all butthurt about the author mentioning Christianity needlessly, why not try reading the article on him? He wanted to rape a kid, kill it and then eat it on Easter morning.
@rewsz What's hypocritical is how Ren and Stimpy ironically got cruder after John K. was fired, and the new writers completely forgot about the wit and animation quality which in actuality was more likely why the show was a hit in the first place. "Adult Party Cartoon" resembles the Bob Camp era much more than the John K. era in that respect.
Rocko's Modern Life, on the other hand, became tamer as the show went on. This is especially apparent if you watch a random Season 1 episode and follow it up with a Season 4 episode. But I think in general (with a few Season 1 exceptions), RML's number of adult references per episode was much more restricted, with many surprisingly subtle examples (as with Rugrats). The show's trademark quirky humor which appealed to everyone was clearly the first thing on the writers' minds; parental bonuses came second.
He did some shows for a local Church group. He also did shows for baseball teams and other groups. He was going to kidnap a kid who went to a Church near him. How does that make him Christian? If he decided to target a Muslim kid on Ramadan would that make him Muslim?
The only butthurt around here is the bias agenda driven reporting.
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