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The Girl Who Leapt Through Time's Real Craftsmanship

Even if you hate anime!

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The Girl Who Leapt Through Time
Directed by Mamoru Hosoda
June 13 through 19, ImaginAsian

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The title will be unfamiliar to most Americans; not so in Japan. The source is a sci-fi novel that's been adapted every decade since its 1967 debut: as a film, a TV series, and now, retooled into a semi-sequel, as an animated feature. Makoto (voiced by Riisa Naka), an indifferent high-school student, one day discovers that she's inexplicably gained the ability to jump out of time—this involves literal jumping, and a litany of pratfalls. She uses the gift to mostly trivial ends (retaking a quiz, beating her little sister to a pudding cup), and also to escape the number of life-or-death situations that evidently imperil a normal teenager's schedule. The Western world can be divided between those who are predisposed to dig anime and those who split at the first sight of spiky orange hair. I am not among the former. That said, there's real craftsmanship in how Girl sustains its sense of summer quietude and sun-soaked haziness through a few carefully reprised motifs: three-cornered games of catch, mountainous cloud formations, classroom still-lifes. It's basically the equivalent of a sensitively wrought read from the Young Adult shelf, and there's naught wrong with that.

 
  • 06/27/2009 4:04:00 PM

    This is such a wonderful film, and a bit of a tear-jerker at the end. It's only a shame that I had heard absolutely nothing about it when it made the rounds in American theaters. You know, I don't think it even hit a Chicago theater at all now that I think on it.

 

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